Kaiping Diaolou and Villages - JinJiangi Vilage_resize |
Kaiping Diaolou and Villages - Datong Vilage |
Kaiping Diaolou and Villages - Majianglong Vilage Cluster |
Kaiping Diaolou and Villages - The Historic Town of Chikan |
Kaiping Diaolou and Villages - The Li Garden |
Kaiping Diaolou and Villages - Zili Vilage_resize |
Kaiping Diaolou and Villages, located in Kaiping City, Guangdong Province, were approved as a national cultural heritage site in 2001, and were listed on the UNESCO World Heritage List in June 2007. The Diaolou are fortified multi-storied tower-like structures that exquisitely integrate the Western architectural style with the Chinese architectural style.
The earliest preserved villages were constructed in the 14th century, and the diaolous were initially built in the 16th century. Originally, it was built to protect the residents against intrusion and forays by local bandits. In the 1920s and 1930s, the Diaolou reached its peak, with over 3,000 diaolous scattered around the whole Kaiping area. About 1,830 well-preserved diaolous remain.
Kaiping has long been a major hometown for immigrants, many of whom brought the ideas and architectural styles of the West to the city. The diaolous primarily use the Romanesque, Islamic, Baroque and Rococo architectural styles and decorative forms. They were mainly made of reinforced concrete, which was rare in Asia in the 1920s and 1930s. On the exterior, the buildings are typically western; but inside everything, from the frescos to the utensils, are of traditional Chinese style.
The local Diaolou is made of stone, compressed earth, bricks or concrete. Despite the distinct differences in building materials, architectural styles and decorative forms, all of the diaolous share some common features. The windows and doors are very narrow and small. Watchtowers on the top floor, with embrasures in the four cardinal directions, provide excellent views of the surrounding area. Kaiping Diaolou and Villages is also an example of the incorporation of the natural and cultural landscape. In spite of importing the western architectural style, the buildings still maintain a harmonious relationship with the surrounding rural landscape. The unique scene is spectacular.
Kaiping Diaolou and Villages is also an example of the incorporation of the natural and cultural landscape. In spite of importing the western architectural style, the buildings still maintain a harmonious relationship with the surrounding rural landscape. The unique scene is spectacular.
The earliest preserved villages were constructed in the 14th century, and the diaolous were initially built in the 16th century. Originally, it was built to protect the residents against intrusion and forays by local bandits. In the 1920s and 1930s, the Diaolou reached its peak, with over 3,000 diaolous scattered around the whole Kaiping area. About 1,830 well-preserved diaolous remain.
Kaiping has long been a major hometown for immigrants, many of whom brought the ideas and architectural styles of the West to the city. The diaolous primarily use the Romanesque, Islamic, Baroque and Rococo architectural styles and decorative forms. They were mainly made of reinforced concrete, which was rare in Asia in the 1920s and 1930s. On the exterior, the buildings are typically western; but inside everything, from the frescos to the utensils, are of traditional Chinese style.
The local Diaolou is made of stone, compressed earth, bricks or concrete. Despite the distinct differences in building materials, architectural styles and decorative forms, all of the diaolous share some common features. The windows and doors are very narrow and small. Watchtowers on the top floor, with embrasures in the four cardinal directions, provide excellent views of the surrounding area.
Kaiping Diaolou and Villages is also an example of the incorporation of the natural and cultural landscape. In spite of importing the western architectural style, the buildings still maintain a harmonious relationship with the surrounding rural landscape. The unique scene is spectacular.
No comments:
Post a Comment